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Earn the moniker “Killer,” and you’re probably capable of some pretty maniacal things.
Coordinated assaults on adult gray whales.
T-boning great whites to snack on their livers.
Spinning turtles before eating them.
Filleting herring and leaving the half-alive remains.
These beastly bodies of blubber live at the top of the food chain, with no superior.
Which begs the question: why jump in the water with them? So eagerly, in fact, that when we first found the animals, I tossed myself off the Zodiac without my mask or snorkel.
There’s the desire to capture an image. Mixed with trust. And maybe a bit of naïveté.
One grip around my foot, and I’d find my way to the bottom of the fjord.
In reality, though, the trust isn’t blind.
For all the stories of attacks on ships, there are no recorded incidents of an orca attacking a human in the wild.
The next logical question is: why haven’t they?
It could be learned behavior. Maybe we don't look like typical prey. Or maybe they've figured out we don’t offer much nutritional value.
Orcas are among the most intelligent animals on the planet. Some consider them to be the bridge between the material and spiritual worlds.
When a bull swims directly toward you, there’s no fear of what comes next.
He glances at you—ten tons of awareness—before gliding past your fins to go about his business, as you go about yours.
Nothing is said, but something is understood.
Maybe they just aren't that into you.
Or, perhaps, something deeper is at play.
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LIMITED EDITION
A moment captured for a life on paper.
Eric works with a renowned print studio in Brooklyn, New York, known for decades of expertise in archival pigment printing. The local lab allows for a collaborative approach, ensuring that his intended vision is expressed in the final artwork. When cared for properly, archival pigment prints can last for over a century.
Archival Pigment Prints
Modern printmaking, refined. Pigment prints utilize state-of-the-art digital technology and high-quality pigment-based inks to achieve striking reproductions. A digital image is applied directly onto the paper using precision inkjet printers, ensuring both image quality and longevity.
Vision meets the surface. Archival papers differ in weight, material, and texture. A paper is chosen to best suit the intent of the piece, from satin finishes to enhance rich shadows and colors, to handmade Japanese rice paper that offers a more textured and vintage feel.
The edition size ensures that only the number of prints indicated will ever be produced. Each print is proofed, reviewed, numbered, and signed by Eric, and includes a Certificate of Authenticity that is unique to your artwork.
Prices from $3,500 USD
16'' x 24'' / 40.6 x 61 cm
Edition of 10 + 2 AP
26'' x 39'' / 66 x 99.1 cm
Edition of 7 + 2 AP
12'' x 18'' / 30.5 x 45.7 cm
Edition of 3 + 2 AP
Larger pieces available by commission
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Pigment-based inks and precision digital technology achieve striking reproductions. Each print is applied directly onto archival paper using high-fidelity inkjet systems, ensuring exceptional quality and longevity.

Archival papers differ in weight, material, and texture. Each is chosen to best serve the intent of the piece—from satin finishes that enhance tonal depth, to washi papers that offers a textured, tactile feel.

Silver gelatin prints combine modern digital exposure with the same light-sensitive papers and chemical processing that have defined darkroom practice for over a century.

The gelatin layer renders fine detail and textures, rich blacks, and a wide tonal range, giving each print its characteristic dimensionality.
Each edition is limited to the number of prints indicated. Every work is proofed, reviewed, signed, and accompanied by a numbered Certificate of Authenticity.
A select number of Artist Proofs are reserved for the artist, family, or collectors.


Platinum-palladium printing originated in the 19th century and remains one of the most time-honored and labor-intensive photographic processes. A digital photograph is converted into a negative, which is then used in this traditional contact method.
Each piece is prepared and produced by hand.

Platinum prints are known for their smooth tonal transitions, matte surface, and subtly warm character.
The visible brush strokes around the edges reveal the hand-coated process—no two prints will ever be the same.

A brush-applied coating of platinum and palladium salts is exposed to ultraviolet light through a digitally produced negative. The platinum particles are activated and become physically embedded into the fibers of the paper.
The result is a print with extraordinary archival permanence measured in centuries—commonly cited at over 1,000 years.
Each edition is limited to the number of prints indicated. Every work is proofed, reviewed, signed, and accompanied by a numbered Certificate of Authenticity.
A select number of Artist Proofs are reserved for the artist, family, or collectors.
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