



Few sleepers are more recognizable than sperm whales.
Not for how long, but for how they rest.
The animals drift upright near the surface for just ten to fifteen minutes at a time—despite diving thousands of feet for up to two hours. They rest for only about seven percent of the day, making them among the least sleep-dependent animals on the planet.
With most wildlife, you aren't hoping to find them asleep.
With sperm whales—it's the holy grail.
On my first day, I had already seen a large group socializing at the surface. After splashing and rubbing their massive heads together in a chaotic pile, they began to slow. The energy in the water shifted. They dove, then rose again—pausing partway up to float in place.
When you piece together what’s taking place, a mix of adrenaline, stress, and awe hits you—a combination hardly conducive to free diving, especially on your first day shooting underwater.
Before, the action had unfolded around me. Now, all the work was mine—diving for better angles, repositioning for light, trying to frame each massive body in this eerie formation. Breathing quickly becomes an inconvenience; every trip to the surface costs time with the scene below.
For what felt like an extended moment, time froze. Only the bubbles from their breath offered movement in an otherwise still scene.
Sleeping giants—motionless, but alive.
And just as suddenly as they paused, the spell broke. They stirred and slipped away, returning to the darkness below.

LIMITED EDITION
A moment captured for a life on paper.
Eric works with a renowned print studio in Brooklyn, New York, known for decades of expertise in archival pigment printing. The local lab allows for a collaborative approach, ensuring that his intended vision is expressed in the final artwork. When cared for properly, archival pigment prints can last for over a century.
Archival Pigment Prints
Modern printmaking, refined. Pigment prints utilize state-of-the-art digital technology and high-quality pigment-based inks to achieve striking reproductions. A digital image is applied directly onto the paper using precision inkjet printers, ensuring both image quality and longevity.
Vision meets the surface. Archival papers differ in weight, material, and texture. A paper is chosen to best suit the intent of the piece, from satin finishes to enhance rich shadows and colors, to handmade Japanese rice paper that offers a more textured and vintage feel.
The edition size ensures that only the number of prints indicated will ever be produced. Each print is proofed, reviewed, numbered, and signed by Eric, and includes a Certificate of Authenticity that is unique to your artwork.
Prices from $3,500 USD
16'' x 24'' / 40.6 x 61 cm
Edition of 10 + 2 AP
24'' x 36'' / 61 × 91.4 cm
Edition of 7 + 2 AP
40'' x 60'' / 101.6 x 152.4 cm
Edition of 5 + 2 AP
50'' x 75'' / 127 x 190.5 cm
Edition of 3 + 2 AP
8'' x 12'' / 20.3 x 30.5 cm
Edition of 5 + 2 AP
12'' x 18'' / 30.5 x 45.7 cm
Edition of 3 + 2 AP
Larger pieces available by commission
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Pigment-based inks and precision digital technology achieve striking reproductions. Each image is applied directly onto archival paper using high-fidelity inkjet printers, ensuring both image quality and longevity.

Archival papers differ in weight, material, and texture. Each is chosen to best suit the intent of the piece—from satin finishes that enhance shadows and color, to washi that offers a textured, tactile feel.

Silver gelatin prints are produced using traditional darkroom techniques that date back to the early 20th century. The image is exposed onto paper coated with a light-sensitive silver salt emulsion and developed through chemical processing.

The paper's gelatin layer captures intricate details and textures within an image. Prints reveal rich blacks and a broad tonal range, giving each piece a distinct dimensionality.
Each edition is strictly limited to the number of prints indicated. Every work is proofed, reviewed, signed, and accompanied by a numbered Certificate of Authenticity.
A select number of Artist Proofs are reserved for the artist, family, or collectors.


Platinum-palladium printing originated in the 19th century. It is a manual process requiring extensive preparation and craftsmanship, and some of the rarest metals on earth.
A digital photograph is converted to a negative of the image, which is then used in this traditional contact printing method.

Rich blacks, soft grays, and detail in shadows are unmatched, even by modern inkjet printers. Smooth tonal transitions and a warm appearance create a print that is uniquely platinum.
Black brush strokes around the edge of the image from the chemical application reveal the handmade nature of the piece—no two will ever be the same.

Platinum-palladium prints have an archival rating of more than 1,500 years.
A solution of noble metals is used to coat the paper, allowing for the print's longevity. When ultraviolet light is exposed through this digital negative onto the chemical layer, platinum particles become physically embedded in the fibers of the paper. These particles form the image, which is then developed in a chemical bath.
Each edition is strictly limited to the number of prints indicated. Every work is proofed, reviewed, signed, and accompanied by a numbered Certificate of Authenticity.
A select number of Artist Proofs are reserved for the artist, family, or collectors.

For additional information on this print, including availability, pricing, or edition details, please complete the form below.